Page 77 - American English File Student Book 3B
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10A                                                                                          GRAMMAR BANK



           relative clauses                                           non-defining relative clauses (giving extra non-essential information)

          defining relative clauses (giving essential information)     T h is  p ain tin g , which w as painted  in  1 8 6 0 , is w orth  m illio n s  5*30)))
                                                                       o f  d ollars.
            1  Ju lia’s the w om an  who / that w orks in  the   5  29)))   L a st w eek I visited  m y au n t, who’s nearly 9 0  y ears old.
              office w ith m e.                                        B u rfo rd , where m y g ran d fath e r w as b o rn , is a b eau tifu l little tow n .
              It’s a self-help b o o k  that / which teaches you how to   M y neighbor, whose so n  goes to  m y so n ’s sch o o l, h as ju st rem arried.
              relax.
              T h a t’s the h ou se where I w as b o rn .
                                                                      •  N o n -d efin in g  relative clau ses give ex tra (o ften  n on -essen tial
            2  Is F ra n k  the man whose b ro th e r plays fo r the
                                                                         in fo rm a tio n ) in a sen ten ce. I f  th is clau se is o m itted , the sen ten ce still
              L akers?
                                                                         m akes sense.
              I t’s a p lan t whose leaves ch an g e co lo r in  spring.
                                                                         This painting, which was painted in I860, is worth millions o f dollars.
            3   I ju st g ot a tex t fro m  the g irl (who / that) I m et on
                                                                      •  N o n -d efin in g  relative clau ses m u st go b etw een  co m m a s (o r a com m a
              the fligh t to P aris.
                                                                         and a period).
              T h is is the new phone (that / which) I bought yesterday.
                                                                      •  In  th ese clau ses, you ca n ’t leave ou t the relative p ro n o u n  (who, which,
                                                                         etc.)
          T o give im p o rta n t in fo rm a tio n  abou t a p erson , place, or
                                                                      •  In th ese clau ses, you ca n ’t use that in stead  o f  who / which. N O T  This-
          th in g  use a relative clau se (= a relative p ronou n  + su b ject)
                                                                         painting, that was painted in 1860, is worth millions o f dollars.
          + verb.
           1  U se the relative p ronou n  who / that fo r peop le, that /
             which fo r th in g s / a n im a ls, and where fo r places.
           •  That is m ore co m m o n  th an  which in d efin in g  clau ses.
             •  You ca n n o t o m it who / which / that / where in th is
                kind o f  clau se. N O T  fnlta’s f he-mmtannvorkrinthe-
                office with me.
          2  U se whose to  m ean  “o f  w ho” o r “o f  w h ich .”
          3  who, which, and that can  be o m itted  w hen the verbs
             in the m ain clause and the relative clau se have a
             different subject, e.g., She’s the girl I met on the plane.
             •  where and whose can never be o m itted , e.g.,
                N O T  Is-thatthc woman d og-barks?

                                                                            This painting, which was painted in 1860, is worth millions of dollars.


           a   C o m p le te  w ith  who, which, that, where, o r  whose.                b  L o o k  a t th e  s e n te n c e s  in  a. C h e c k  /  th e
                                                                                            s e n te n c e s  w h e re  y o u  c o u ld  le a v e  o u t th e
                 M o u n ta in  V iew  is th e  a re a  where S te v e  Jo b s  g rew  up.
                                                                                            re la tiv e  p ro n o u n .
               1  R o b  an d  C o r in n a ,___________h av e tw in s , o fte n  n eed  a b a b y sitte r.
               2  T h e  W h ite  H o u s e ,___________th e p re sid en t o f  th e  U n ited  S ta te s  c  A d d  c o m m a s  w h e re  n e c e s s a r y  in  th e
                 liv e s, is in  W a s h in g to n , D .C .                                 s e n te n c e s .
              3   T h e  s a n d w ic h ___________you  m ad e m e y esterd a y  w as d elicio u s.
                                                                                               C a r o lin e , w h o  lives n e x t d o o r to  m e , is
              4   T h e  w o m a n ___________lived h ere  b e fo re  u s w as a w riter.
                                                                                               b e a u tifu l.
               5  S tie g  L a r s s o n ,___________b o o k s fo rm  th e  Millennium Trilogy, d ied
                                                                                             1  T h is  is th e  p la ce w h ere Jo h n  cra sh ed  h is car.
                 in  2 0 0 4 .
                                                                                            2   T h e  m u seu m  th a t w e v isited  y esterd ay  w as
              6   M y  c o m p u te r is a lo t fa ste r th a n  th e  o n e ___________you  b o u g h t.  a m a z in g .
               7  T h e  Mona Lisa,___________h a s b e e n  d am ag ed  sev eral tim e s , is now
                                                                                            3   B e ijin g  w h ich  is o n e o f  th e w o rld ’s b ig g est
                 d isp lay ed  b e h in d  b u lle tp r o o f g lass.                          c itie s h o sted  th e  2 0 0 8  O ly m p ic G a m e s.
              8   L o o k ! T h a t ’s th e  w o m a n ___________d o g  b it m e la st w eek .
                                                                                            4   M ic h a e l Ja c k so n ’s Thriller w h ich  w as
               9   O n  o u r la s t v a c a tio n  w e v isite d  S tra tfo rd -U p o n -A v o n ,___________  re le a se d  in  1 9 8 2  w a s o n e  o f  th e  b e st-se llin g
                 S h a k e sp e a re  w as b o rn .                                            a lb u m s o f  th e  8 0 s .
              10   W e a ll w en t to  th e  g a m e e x c e p t M a r ia n n e ,___________d o e s n ’t like  5  T h e s e  a re  th e  sh o e s th a t I ’m  w e a rin g  to  the
                 b a sk e tb a ll.                                                             p a rty  to n ig h t.
              11  T h a t m a n ___________y o u  saw  a t th e  p a rty  w a s m y b o y frie n d !  6   S a lly  and Jo e  w h o g o t m a rrie d  la st y e a r are
              12   T h a t ’s th e  p a r k ___________I le a rn e d  to  rid e a b ik e.      e x p e c tin g  th e ir firs t baby.

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